Showing posts with label critique. Show all posts
Showing posts with label critique. Show all posts

Friday, January 4, 2013

It's Okay to Ignore Those Critiques. No, Really.

I'm going to say something really unpopular.

Are you ready for it?


There are some critiques you can tell to go kiss your butt. And online fly-by-night critique forums are 98% useless.

Now, don't go out there and start telling a bunch of people who were just trying to help you out that they're wrong and you're right and Emily White told you so.

But DO feel free to fantasize in your own mind that you're telling a certain critique to go walk the plank and imagine all those words swirling around like yummy little alphabet cereal.

Because guess what...

Unless you're getting a critique from a trusted alpha or beta, the person (who is most likely the sweetest, most selfless person ever) doesn't know enough about you or your writing style to give you worthwhile advice.

Now, I'm not talking about grammar mistakes or glaring problems that are easy to pick out.

What I am talking about is the nitpicky stuff. The stuff that a person picked out because it's a critique forum and they want to be helpful, so they really go searching for something, ANYTHING. The stuff that essentially means, "Well...I wouldn't have written it this way."

This is why the fly-by-night critique forums full of people who are there for a week and you probably won't ever meet online again are 98% useless. The 2% of helpfulness comes from the fact you get a chance to meet people who could potentially become your trusted alphas or betas.

And believe me when I tell you that I am absolutely, 100% guilty of giving really bad critiques in forums like these. Like everybody else, I was just trying to be helpful.

But as the years have gone by, I've realized something. You really can't give good advice unless you've read several pages and gotten a good handle on the writer's personal style. The only help you're going to give is helping that writer come up with a cookie cutter version of a novel.

And though there are very wonderful, important rules to crafting a novel, the amount of variety writers can come up with is far more vast than cookie cutter advice can come up with. There are rules to painting, too, but you can tell one artist's work from another. We should be able to do the same with novels.

I joined one of those forums about a year back (the kind that's there for a week as part of something bigger) and a writerly friend of mine joined as well. At the end of the week, and after getting a lot of different forms of advice, my friend wrote a very sad blog post about how he/she thought that he/she should just give up on the story.

The story is brilliant, readers. Brilliant.

And those are the critiques that should be ignored. Instead of seeing how brilliant the story was, all everyone saw was how it was different and not how "they" would do it.

Critique is good and open, accepting minds are great, but get your critiques from people who know you and have read more than the first page of your work.

But don't be rude to these fly-by-night critiquers. They really are trying to be helpful. Take to heart what is useful, but silently (so silently you're the only one who knows it) ignore what is not.





Wednesday, October 7, 2009

I Shake My Fist at You!

It's hard to believe that anyone might find anything to criticize about our work, but it happens. I imagine a good majority of writers sit in their comfy couches luxuriating in the thought that the person (or people) they had just sent their book to read are laughing in hysterics at the funny moments, weeping in despair when the MC meets a particulary nasty challenge, and absolutely falling in love with each and every character (and secretly wishing to marry the hero). Imagine the shock, then, when the reader comes back and says they just didn't get a certain part.

Ugh. Now the writer has a few options in his/her path. He can either remain calm (I repeat! Remain calm!) and discuss this possible glitch in the path to perfection with the reader, or he can put up his defensive wall and attack the reader for obviously missing the scope of the work. It's not the reader's fault he/she is so stupid and can't pick up obvious things, the public school system has merely failed them.

Now imagine when an agent or publisher "just doesn't get it." How can the world possibly not recognize the awesomeness that is your novel?? It's probably wise at this point to take a step back and reevaluate your darlings.

I, for one, am the queen of defensiveness. I can honestly say that I am shocked and appalled when someone I have asked to read a section of my book comes back and criticizes a certain part of it. Walls come up! Oh the excuses! BUT! After a few minutes of steady breathing, I really think about what the reader had to say. Now that I have calmed down, do I still disagree? If yes, then I move on. There have been many instances where I have agreed with my critiquer. A good writer friend of mine suggested that I scrap my first chapter and start with my MC. I fought this for a while because I believed that important things would be missed if I changed where the novel started. But I did give in, and I'm glad. My new first chapter is far better and the reader has a chance to connect with my MC immediately, rather than slowly but surely.

There are instances, however, where your critiquer(s) will criticize the style of your work, rather than the content. It is extremely important, therefore, to know what your style is and be prepared to defend it. Lots of people confuse style and content. They think they're the same thing. They are not. Style is how you tell your story, content includes things like the plot, your characters, etc. It is not a style to describe one-dimensional characters and a plot that goes nowhere! So get that out of your head right now. Style includes sentence structure (as long as it's grammatically correct), POV, etc. These things should be left alone during a critique. If you write long, flowy sentences, but your critiquer prefers short, choppy ones, it's time to find someone else to critique your book. Those styles do not jive and the critiquer will feel tempted to change your style. There will only be pain in a situation like this.

Writers do tend to freak out (*raises hand*) when they recieve a particulary bad review, but we just need to start looking at them objectively. You'll never improve as an artist if you disregard every negative critique. I'll concur that some of them are ridiculous, but don't ignore the gems out there just because a few bad apples have gotten through. This is advice that I have a hard time living, but it's worth it when I do.

And if you're a critiquer, please, please, please! Stop critiquing style. We writers simultaneously believe that we are the greatest in our generation and just pure crap. Critiquing style will only work to make us even more depressed and it does nothing to improve us as artists.

~Emily White